culture

Suburban Boredom Generates Dramatic Excitement

...the pop-culture view that the suburbs are the place where the American Dream goes to die has an amusing flip side: That culture owes a huge amount of its inspirational vitality to hating the very place where many of its artists grew up and its audience lives. As both these movies and so many other novels, films, TV shows, music and plays over the years have proved, there’s nothing like suburban boredom to generate dramatic excitement.

From "How the Boredom of Suburbia Paves the Way to Creativity"

Jerram Barrs | Echoes of Eden

Echoes eden barrs

Very excited about Jerram Barrs' new book, Echoes of Eden: Reflections on Christianity, Literature, and the Arts.

Been looking forward to it for a while, on an important topic that I think Barrs is well-equipped to tackle. Barrs was formerly involved for 18 yeas with Francis Schaeffer and L'Abri. Now he teaches at Covenant Theological Seminary and is Resident Scholar at the Francis A. Schaeffer Institute  

You can get Echoes of Eden now at Amazon (Kindle), WTS, and amazingly for $2 you can get the eBook from Crossway!

Whitefield Wouldn't Let The Devil Alone

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From J.C. Ryle's "George Whitefield & His Ministry" as a brief bio in the front of Select Sermons of George Whitefield (also found here), we get a picture of his open-air preaching and the church culture that pushed him toward it (bold in the text is mine)...

Two months after this Whitefield began the practice of open-air preaching in London, on April 27, 1739. The circumstances under which this happened were curious. He had gone to Islington to preach for the vicar, his friend Mr. Stonehouse. In the midst of the prayer the churchwardens came to him and demanded his licence for preaching in the diocese of London. Whitefield, of course, had not got this licence any more than any clergyman not regularly officiating in the diocese has at this day. The upshot of the matter was, that being forbidden by the churchwardens to preach in the pulpit, he went outside after the communion-service, and preached in the churchyard. ‘And,’ says he, ‘God was pleased to assist me in preaching, and so wonderfully to affect the hearers, that I believe we could have gone singing hymns to prison. Let not the adversaries say, I have thrust myself out of their synagogues. No; they have thrust me out.’

From that day forward he became a constant field-preacher, whenever weather and the season of the year made it possible. Two days afterwards on Sunday, April 29th, he records: ‘I preached in Moorfields to an exceeding great multitude. Being weakened by my morning’s preaching, I refreshed myself in the afternoon by a little sleep, and at five went and preached at Kennington Common, about two miles from London, when no less that thirty thousand people were supposed to be present.’ Henceforth, wherever there were large open spaces round London, wherever there were large bands of idle, godless, Sabbath-breaking people gathered together, in Hackney Fields, Mary-le-bonne Fields, May Fair, Smithfield, Blackheath, Moorfields, and Kennington Common, there went Whitefield and lifted up his voice for Christ.

FOOTNOTE: The reader will remember that all this happened when London was comparatively a small place. Most of the open places where Whitefield preached are now covered with buildings. Kennington Oval and Blackheath alone remain open at this day.

The gospel so proclaimed was listened to and greedily received by hundreds who never dreamed of going to a place of worship. The cause of pure religion was advanced, and souls were plucked from the hand of Satan, like brands from the burning. But it was going much too fast for the Church of those days. The clergy, with a few honourable exceptions, refused entirely to countenance this strange preacher. In the true spirit of the dog in the manger, they neither liked to go after the semi-heathen masses of population themselves, nor liked any one else to do the work for them. The consequence was, that the ministrations of Whitefield in the pulpits of the Church of England from this time almost entirely ceased. He loved the Church in which he had been ordained; he gloried in her Articles; he used her Prayer-book with pleasure. But the Church did not love him, and so lost the use of his services. The plain truth is, that the Church of England of that day was not ready for a man like Whitefield. The Church was too much asleep to understand him, and was vexed at a man who would not keep still and let the devil alone.

Bad Art & the Tortured Beauty of the Cross

Wonderful, thoughtful discussion between Scotty Smith (Pastor, Christ Community Church, blog), Greg Thornbury (Union University), and Mike Cosper (Sojourn Music) on good art and bad art. I've been thinking through some of themes they discuss as they relate to some music I've been listening to this year. I'm working on a post on one singer/artist in particular who I think many Christians would hate, but for all the wrong reasons.

Anyway, that post is for another day. Watch this great discussion (via). And by the way, this is the best video thumbnail of my friend Greg Thornbury EVER.

Lots-o-Links 12.15.11

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5 Ways Wives Can Encourage Their Husbands | Jared Wilson

When you nitpick and nag, you give mouthpiece to the accuser who wants your husband to know not only does he not have what it takes, he is worthless because of it. So find ways to constructively criticize and help him repent, but more than that, tell him what you like about him, how you find him attractive or admirable, how you respect him or are impressed by him. Outdo him in showing honor (Rom. 12:10).

Coming Together On Culture, Part 1: Theological Issues  | Tim Keller

On the surface, the Reformed and evangelical world seems divided between "Cultural Transformationists" and the "Two Kingdoms" views of these things. Transformationists fall into fairly different camps, including the neo-Calvinists who follow Abraham Kuyper, the Christian Right, and the theonomists. Though different in significant ways, they all believe Christians should be about redeeming and changing the culture along Christian lines.

Pencil Does Not Fade | Joe Thorn

A cursory search on the internet shows most people stating as fact, “Writing in pencil will fade over time.” Rather than trust the opinion of some random dude on Yahoo Answers who hasn’t even read an article on the subject, I thought I would ask some people who could give me better direction. So I contacted the National Archives. They were happy to answer my questions quickly and provide helpful references. After a few email exchanges with people who spend their time in historic documents, here is the bottom line for those wondering if writing in pencil will fade.

Graphite pencil is a very stable material.  It does not fade in light. It does not bleed in water unless other dyes were added.

Mark Dever - Reading Sibbes Aloud | After purchasing the 7 vol Works of Richard Sibbes I was reminded that Mark Dever, who literally wrote the book on Sibbes, has read aloud a number of Sibbes sermons. A nice idea, and worth checking out.

Keller | Preaching in a Secular Culture

Keller preachingFrom Tim Keller's new article, "Preaching in a Secular Culture," on some practices for preaching to secular people...

  • Solve all problems with the gospel
  • Beware of assumptions
  • Engage in apologetics
  • Provide applications for both parties
  • Be authentic
  • Be conscious of alienating language
  • Expect, and respect, doubt
  • Address the wider community
  • Draw on cultural references
  • Read across the spectrum

For more on these 10 practices and a lot more on preaching in a secular culture, go read the whole article.

Don't Miss The Art You Missed

Art

Was pointed to a new podcast that I am thoroughly enjoying. It's called The Art You Missed. From the website...

The Art You Missed explores, freely and with an open mind, acts of creation that are in danger of being overlooked amidst the ever-widening stream of the world’s new art... 

The Art You Missed embraces the artistic impulse and adds this premise: all art is forever new...

The Art You Missed is not merely an academic or historical exercise, but is rather an active meditation on the permanent revolutionary impulse at the core of art...

The hosts, Samuel Melden and Fritz Byers, talk music, poetry, and various other kinds of art. 

If you like the podcast, and I think you will, check out their Kickstarter Campaign. Also follow and "like" them out on Twitter and Facebook.